This is the science behind drawing, learning to see "the artists way".
IMHO it is the best tool to learn and understand drawing.
It is a ZIP'ed file it contains.
- The New Draeing on the right side of the brain PDF
- Drawing on the right side of the brain AVI
- COVER.JPG (the book cover)
People, read, watch and learn, this technique is truly awesome! you will actually see things differently!

In this second DVD of the Drawing the Figure series, Jack explores the properties of structure.
Here, he introduces the basic elements required to create the illusion of 3-Dimensional space and form as they apply to the human figure. By constructing simple forms, exploring overlap and translating the complexity of the human body into its simplest, most basic forms, we can begin to understand the process of converting a 3-Dimensonal, real world form onto a flat, 2-Dimensional surface that an observer can understand. Jack will demonstrate how to see the forms and draw through them without losing the gestural quality described in his first DVD.

In this second DVD of the Drawing the Figure series, Jack explores the properties of structure. Here, he introduces the basic elements required to create the illusion of 3-Dimensional space and form as they apply to the human figure. By constructing simple forms, exploring overlap and translating the complexity of the human body into its simplest, most basic forms, we can begin to understand the process of converting a 3-Dimensonal, real world form onto a flat, 2-Dimensional surface that an observer can understand. Jack will demonstrate how to see the forms and draw through them without losing the gestural quality described in his first DVD.

In this workshop, Grant provides all the best tools and techniques needed to sketch and draw your favorite subjects with accuracy and expression.

Vice Principal and Professor of Fine Art at Wimbledon School of Art Anita Taylor continues her exploration in tonal drawing , taking the viewer through key decisions such as positioning the model and sightlines.

Lee Hammond demonstrates how to achieve lifelike portraits through smooth blending and gradual tonal changes.